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	<title>Burl Audio &#124; Analog and Digital Professional Audio Recording Gear</title>
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		<title>The Complete Solution</title>
		<link>http://www.burlaudio.com/the-complete-solution-video</link>
		<comments>http://www.burlaudio.com/the-complete-solution-video#comments</comments>
		<pubDate>Fri, 17 May 2013 01:27:59 +0000</pubDate>
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		<guid isPermaLink="false">http://www.burlaudio.com/?p=2970</guid>
		<description><![CDATA[Burl Audio Presents: A comparison of two systems: Burl B80 Mothership / B32 Vancouver Mix Bus / B26 ORCA Control Room Monitor vs.  Digidesign 192i/o / Dangerous 2 Bus LT / Dangerous Monitor at Universal Mastering Los Angeles, 2013 To hear the mixes, download here &#62; HOW WE RECORDED THESE FILES:  &#8220;Muziqawi Silt&#8221; performed by...]]></description>
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		<title>Pete Lyman</title>
		<link>http://www.burlaudio.com/pete-lyman</link>
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		<pubDate>Fri, 17 May 2013 01:05:43 +0000</pubDate>
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				<category><![CDATA[Featured Artist]]></category>

		<guid isPermaLink="false">http://www.burlaudio.com/?p=2960</guid>
		<description><![CDATA[“I love my B2 DAC&#8217;s. I have them in both of my rooms. Cutting vinyl lacquers from the B2 is amazing…more focused low end, better stereo field. It seems easier to cut using the B2, and everyone loves the results. One of our most important pieces of gear. “When I’m not cutting vinyl, The B2...]]></description>
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		<title>Featured Event: March 28 2013, Universal Mastering L.A.</title>
		<link>http://www.burlaudio.com/universal-mastering</link>
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		<pubDate>Wed, 13 Mar 2013 00:22:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured Event]]></category>

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		<title>Greg Landau</title>
		<link>http://www.burlaudio.com/greg-landau</link>
		<comments>http://www.burlaudio.com/greg-landau#comments</comments>
		<pubDate>Tue, 11 Dec 2012 01:13:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.burlaudio.com/?p=2871</guid>
		<description><![CDATA[Greg Landau interview by Will Kahn, 2012 Greg, please give me a brief background of your work., I’ve been a musician and producer since the late 70’s.  I began working in Latin rock bands in San Francisco and toured with the singer from the group Malo with the Wilson Pickett review. I started playing with...]]></description>
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		<title>Michael Wagener</title>
		<link>http://www.burlaudio.com/michael-wagener</link>
		<comments>http://www.burlaudio.com/michael-wagener#comments</comments>
		<pubDate>Fri, 27 Apr 2012 21:50:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artists]]></category>

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		<description><![CDATA[Interview with Will Kahn for Burl Audio, 2012 You’ve been making large label records for many years now. You were born in Germany, could you talk about how you started in music and recording and how you came to the US? Well when I was about 12 I bought my first guitar. I grew up...]]></description>
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		<title>Paul Leary</title>
		<link>http://www.burlaudio.com/paul-leary</link>
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		<pubDate>Wed, 04 Jan 2012 02:28:44 +0000</pubDate>
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				<category><![CDATA[Artists]]></category>

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		<description><![CDATA[PAUL LEARY Interview with Will Kahn for Burl Audio 2012 We found Paul through the band The Expendibles. I saw them at the Vans Warped Tour and was telling them about Burl and that we would like to help them record in Santa Cruz. Once we learned that Paul was working with them, and we...]]></description>
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		<title>Burl Audio Post AES&#8230;</title>
		<link>http://www.burlaudio.com/burl-audio-post-aes</link>
		<comments>http://www.burlaudio.com/burl-audio-post-aes#comments</comments>
		<pubDate>Tue, 15 Nov 2011 00:59:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.burlaudio.com/?p=2204</guid>
		<description><![CDATA[Wow. What  a show. We had the best AES ever in New York City, 2011. Special thanks to Blue Wilding with Audio Power Tools, who has been spreading the word for Burl Audio in the East. We were pleasantly surprised by the buzz that was in the air about Burl in NYC. Many people came...]]></description>
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		<title>Fabian Marasciullo</title>
		<link>http://www.burlaudio.com/fabian-marasciullo</link>
		<comments>http://www.burlaudio.com/fabian-marasciullo#comments</comments>
		<pubDate>Tue, 11 Oct 2011 20:34:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artists]]></category>

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		<description><![CDATA[Interview by Will Kahn for Burl Audio, 2011 I&#8217;ve been listening to some of the stuff you did recently, including Lil Wayne&#8217;s &#8220;Tha Carter IV&#8221;(mixed through the B2 Bomber ADC).  It&#8217;s very cool. I definitely enjoy the sounds. Even though I hate to do it, I downloaded the songs from iTunes, because I wanted to...]]></description>
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		<title>Lil Wayne album &#8220;Tha Carter IV&#8221; mixed to B2 Bomber ADC. Fabian Marasciullo is BURLY!</title>
		<link>http://www.burlaudio.com/lil-wayne-album-tha-carter-iv-mixed-to-b2-bomber-adc-fabian-marasciullo-is-burly</link>
		<comments>http://www.burlaudio.com/lil-wayne-album-tha-carter-iv-mixed-to-b2-bomber-adc-fabian-marasciullo-is-burly#comments</comments>
		<pubDate>Fri, 23 Sep 2011 03:11:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Fabian Marasciullo just finished mixing &#8220;Tha Carter IV&#8221; by Lil Wayne using the B2 Bomber. It it&#8217;s opening week, the album sold 960,000 copies, and broke an iTunes record at 300,000 in one week.]]></description>
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		<title>B80 Mothership Tape Op Review</title>
		<link>http://www.burlaudio.com/tape-op-b80-review</link>
		<comments>http://www.burlaudio.com/tape-op-b80-review#comments</comments>
		<pubDate>Sat, 03 Sep 2011 21:50:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tape Op B80 Review]]></category>

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		<description><![CDATA[B80 Mothership
< Burl Audio >
by Marc Alan Goodman
< Issue 84 >

There seems to be a new trend developing in audio converter design. Up until recently, engineers considered converters to be part of the digital or computer side of their rig as opposed to the analog side. Concurrently, just like the computers they're directly connected to, converters become obsolete every couple of years, and their designs focus on advancing the handling of information on the digital side (better clocking and conversion). This began to change with the release of the Universal Audio 2192 (Tape Op #39) in 2003. For the first time, you could purchase a converter from a major manufacturer with a highly developed analog front-end.]]></description>
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